Bloomberg is citing unnamed sources in a report that SoundCloud is near to closing deals with record labels for their content to appear on the popular crowdsourced listening platform. If the report plays out as fact, Soundcloud will gain needed elbow room to compete with other music services, unhindered by legal distractions that have troubled SoundCloud recently. Continue Reading
Remember when Internet radio leader Pandora bought a radio station last June? The idea was to get more favorable music licensing terms, but the deal was blocked by ASCAP and remained unclosed pending FCC approval. Now, that small station in South Dakota is in the news again, as Pandora files a petition with the FCC to declare Pandora’s eligibility to acquire the terrestrial broadcaster. Broadcast law attorney David Oxenford, who is involved in the case, explains everything. Continue Reading
Inside Radio noted (paywall link here) that a group of Nebraska radio stations has donated $5,000 to the Red Cross for disaster relief after storms ripped through parts of the state. This sort of radio activism on behalf of local communities ties into traditional radio values of locality and community service. More particularly it resonates with recent arguments, in press releases and government hearings, against applying music-licensing performance royalties to broadcast radio. Continue Reading
The Judiciary Committee of the U.S. House of Representatives held its second hearing on music licensing regulations, hosting a panel of music-industry executives who delivered prepared statements and answered questions. As with the first hearing on June 10, four contentious issues framed today’s proceeding:
All four pillars of copyright discontent got some play today. Broadcast radio took a severe beating, but unlike the first hearing, the radio industry was represented. Continue Reading
Brief news items and worthwhile reads from around the web. Spotify reportedly preps for IPO; House hearing on music copyrights tomorrow; Pandora grabs revenue executive from Yahoo. Continue Reading
SoundExchange released the first edition of a new quarterly royalty breakdown called Digital Radio Report — an animated infographic that promotes SoundExchange’s contribution to the economy of streaming music (plus comedy), and reveals general music-licensing information to demystify how royalties work. Continue Reading
Broadcast law attorney David Oxenford contributes an information-packed overview of potential music copyright reform, and all its moving parts. Continue Reading
This weekly podcast is a quick and concise catch-up of the week’s top stories.
This week: Apple’s announcements …. The future of the music industry … the U.S. government might change music licensing … and independent labels throw YouTube under the bus. Continue Reading
SPECIAL COVERAGE
On Tuesday the U.S House Judiciary Committee held the first of two hearings in its review of music licensing. These hearings potentially affect all stakeholders: radio stations, online music services, webcasters, performers, and creators.
Sharply-worded arguments politely flew around the House chamber. One congressman issued a powerful and comprehensive call for change. It was momentum vs. inertia, reform vs. status quo. Four main issues were in play:
In a punchy keynote address at the New Music Seminar in New York yesterday, SoundExchange CEO Michael Huppe provocatively claimed that music sales decrease when radio plays songs. Huppe used that theme to support an argument that broadcast radio should be required to pay performance royalties to artists and labels, from which radio is currently exempt. Continue Reading
This week, the United States Department of Justice announced that it would review the consent decrees that set the rules for Performance Rights Organizations ASCAP and BMI for the licensing of musical works on all forms of broadcast and in venues. Guest commentary by Casey Rae, VP for Policy and Education at the Future of Music Coalition. Continue Reading
Music licensing is a hot topic in 2014 in the U.S., with all constituencies — broadcast, streaming, creators, labels, artists, lobbying groups — jockeying for position to make an argument for change … or trying to halt change. The U.S. government, which regulates the maddening thicket of music licensing rules and rates, is trying to understand all the angles just as industry observers are. Continue Reading