The Copyright Royalty Board (CRB) rate-setting process, currently in the trial phase, did not conclude on Friday as originally scheduled. Instead, broadcast law attorney David Oxenford tols RAIN News, the proceeding will continue for three days this week. Click through for the new schedule. Continue Reading
The Copyright Royalty Board has begun the hearing phase of its proceeding to set the royalties to be paid by webcasters for the years 2016-2020. Broadcast law attorney David Oxenford witnessed the day-ong event. Continue Reading
Barely a day goes by without seeing some article about a songwriter whose song was played a million times on a digital music service like Pandora or Spotify, with the artist only receiving a relatively small amount of royalty revenue from that seemingly large number of plays. A number of issues are misunderstood — especially about big numbers. Continue Reading
Broadcast attorney David Oxenford digs into the Songwriter Equity Act in this comprehensive analysis of proposed legislation. “This is perhaps one of those questions that can never be answered — which is more important, the song or the singer?” Continue Reading
As we reported last week, the U.S. Copyright Office released a comprehensive review of music licensing, and made recommendations for changes. Broadcast Law Attorney offers this thorough analysis of the report’s contents.
“The report tees up many issues for consideration. So now, let the debate begin!” Continue Reading
The overwhelming majority of podcasts are spoken-word programs, and it has been that way the category started. Why? Broadcast law attorney and guest columnist David Oxenford explains the legal reasons. Continue Reading
When a reader and pureplay station operator sent us a government notice of SoundExchange’s intent to audit the streaming royalty payments made by Live365, iHeartMedia, and CBS Radio for 2011, 2012, and 2013, we turned to broadcast law attorney David Oxenford (author of the deeply informative Broadcast Law Blog) to find out how significant the action is. Continue Reading
The digital dashboard is a gold-rush scramble for territory. But what if there were no dashboard at all? Autonomous (self-driving) cars are rolling toward us, and will be on the road sooner or later. How will audio competition be shaped when the car is a WiFi-connected living room? Continue Reading
David Oxenford explains potential impacts and consequences of the latest pre-1972 copyright court action. “All music users that play oldies, whether the businesses be digital music services, radio stations, bars and restaurants or retail outlets, need to be carefully following the action in this case.” Continue Reading
Noncommercial webcasters are often forgotten in the discussion of the current proceeding to set Internet radio sound recording royalties. But, along with the royalties for commercial webcasters, the current Copyright Royalty Board proceeding will also set the rates for noncommercial webcasters. Broadcast attorney and frequent guest contributor David Oxenford explains everything. Continue Reading
As webcasters have submitted their royalty-rate arguments to the Copyright Royalty Board, the fight for favorable music licensing rates shifts into high gear. Broadcast law attorney Davide Oxenford takes stock of key points in the submitted briefs, clearly summarizing complex considerations. Continue Reading
Never have the words Alabama and Canada been uttered in the same sentence as much as they are this week. Broadcast law attorney David Oxenford explains why. Continue Reading