ASCAP and BMI announced a collaboration that will see the two performing rights organizations create a single comprehensive database of musical works from their libraries. The database will contain an overview of shares and rights information for much of the music licensed in the United States, offering more clarity around music ownership. Continue Reading
Last week we began receiving notes from webcasting clients of two large hosting companies, Radionomy and StreamLicensing, noting that recent changes and communications had troubled their webcast stations. The two situations are coinciding in time, but are unrelated — except both are about music licensing. Continue Reading
ASCAP announced that it has entered a multi-year U.S. performance rights deal with YouTube. This arrangement is designed to help members of the performing rights organization to get paid for use of their work on the video platform. Continue Reading
ASCAP has hired Tony Dunaif as its new executive vice president and head of international affairs. In this capacity, Dunaif will focus on developing relationships with CISAC and other performing rights organizations worldwide. Continue Reading
YouTube talent show draws on television talent; can podcast search engines help discovery; ASCAP conducts voter survey on music licensing. Continue Reading
ASCAP has announced a deal with Landr to offer music mastering services to its members. All ASCAP members will now receive a basic subscription to the automated mastering service. Continue Reading
ASCAP announced that it collected revenue of $1.059 billion in 2016, breaking the billion-dollar revenue mark for a third year. The performing rights organization distributed more than $918 million to its members over the course of the year, up 5.6% over the year before. Continue Reading
Brief news items and worthy reads from around the web: Drake topples Ed Sheeran’s records. Rookie Magazine joins the podcast wave. ASCAP board election results. Continue Reading
ASCAP has relaunched its administration services business as Songwize. This rebranded division will offer royalty administration, such as processing and matching performance files as well as paying out royalties. Continue Reading
ASCAP announced a new five-year agreement with the Radio Music License Committee. This deal sets the public performance fee rates to be paid by commercial terrestrial radio stations for the rights to play ASCAP’s repertory across the years 2017-2021. Continue Reading
On the Move tracks hires, promotions, and other notable personnel changes within the online audio industry. Today’s moves are two new additions to the ranks of ASCAP’s board and Spotify’s European team. Continue Reading
ASCAP has created a new Digital Team that will work to improve the transparency and efficiency of the organization’s royalty collection and distribution. The Digital Team includes two branches: Digital Product & User Experience Group and the Data Strategy & Business Intelligence Group. Continue Reading