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YouTube re-launches apps today; new Music service and subscription plans

As we noted last week, today is rollout day for a new YouTube Music app, and two new subscription plans for ad-free, downloadable YouTube use. Here are the main points:

Notwithstanding Google’s apparent inability to create a simple sub-brand, today’s launch in the U.S., Mexico, South Korea, Australia and New Zealand is quite interesting, with a good deal of speculation about how the venture will fare. Fortune harshly titles its prediction, Why YouTube’s Attempt at a New Music Service Will Fall Flat, and pins its gloomy forecast on the difficulty of moving free users to paying users. “Free is a trap that is very hard to escape from.”

But hasn’t Spotify successfully moved its unpaying users to Spotify Premium? (About half of Spotify’s 150-million monthly audience is in Premium). Yes, but Spotify always withheld full on-demand control of music in the free service, giving just a little taste of interactivity to whet the user’s appetite for more. YouTube is already fully on-demand, with commercials. You can call up any song you want and build playlists. The main withheld features for YouTube Music Premium are downloading videos and removing of commercials. Is that enough? Fortune says no.

Spotify had doubters and haters too in its younger years. (Not entirely free of ill-wishing in some quarters now, too.) Part of YouTube’s strategy is probably a long bet on the future. The company must observe higher margin earnings coming into Spotify, which discloses revenue from both sides of its platform — ad-supported and subscription. The entire U.S. recording industry is benefiting from sharp music subscription growth over the last two years. And the labels have been screaming at YouTube to bring more money through its gigantic global on-demand service.

“We’re entering the golden era of the music business right now,” YouTube Music head Lyor Cohen said during a recent interview with The San Francisco Chronicle. “Every forest has to burn down to get healthy again. It had to happen.” He’s talking about music industry earnings, swooning in the post-CD era, and now sweeping back upward thanks to streaming, and especially subscription streaming.

“I feel liberated from the CD,” Cohen said in that interview. “I’m so happy it’s dead.” Well okay. Dancing on a 12-year-old grave, what the heck, it’s launch day.

 

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