The chart makes sense only when you know Edison’t rationale, which measures the number of top-200 shows against the number of total shows in the category. So, True Crime wins this measurement because 3.8% of True Crime shows place in the top 200 of all shows. Comedy has more shows in the top 200, but a lower percentage of all comedy shows … hence a lower “batting average.”
(Baseball fans can disregard the framing of success as a percentage, instead of baseball’s decimalization of batting averages. Lighten up.)
Here is the scorecard: