The Copyright Royalty Board has begun the hearing phase of its proceeding to set the royalties to be paid by webcasters for the years 2016-2020. Broadcast law attorney David Oxenford witnessed the day-ong event. Continue Reading
Digital music distributor TuneCore announced first-quarter results — as usual, not in terms of revenue to the company, but through the lens of payouts to musician clients. Artists earned over $36-million in Q1. Continue Reading
Yesterday in Washington, the Copyright Royalty Board (CRB) held an opening hearing to start the trial portion of Webcasting IV, the music royalty rate-setting process for the upcoming 2016-2020 royalty period. We spoke to sources who were in the (apparently rather small) room). Continue Reading
For nearly two years, Pandora has attempted to close its $600,000 purchase of KXMZ, a Rapid City radio station. There are signs of movement now as FCC Chair Tom Wheeler has reportedly asked FCC members for a waiver in this case. Pandora would benefit from lower music royalty costs. Continue Reading
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THIS WEEK: Anthony Bay announces Rdio Live; IFPI global music revenue report; Is Spotify worth $8.4-billion?; 6 Seconds streaming app; EFF wins podcast patent pushback. Continue Reading
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THIS WEEK: Streaming exclusives don’t stay exclusive; Webcast listening reaches new record; when a music label and a bank hook up; milestone moment for 8tracks; Pandora pays more than half of all webcast royalties Continue Reading
Barely a day goes by without seeing some article about a songwriter whose song was played a million times on a digital music service like Pandora or Spotify, with the artist only receiving a relatively small amount of royalty revenue from that seemingly large number of plays. A number of issues are misunderstood — especially about big numbers. Continue Reading
Intellectual property attorney Angus MacDonald examines the 2014 royalty collections by SoundExchange, and Pandora’s earnings reports, to determine that Pandora accounts for more than half of all SoundExchange revenues distributed to artists and labels. What does the future look like as the Copyright Royalty Board prepares a ruling of webcaster royalty rates for 2016-2020? Continue Reading
As we reported on March 17, SoundExchange and National Public Radio (NPR) reached an agreement for webcast music licensing in the 2016-2020 royalty period. NPR agreed to increase the number of stations providing detailed census reporting of the music they play in webcasts. We spoke to Rusty Hodge of SomaFM about whether those reports are difficult to produce. Continue Reading
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THIS WEEK: The weekly update of the streaming audio industry, from RAIN News. THIS WEEK: Tidal relaunch makes it seem new; DASH Radio; Spotify’s new Canadian deal; revenue forecast for Internet radio advertising; who wants connected cars? Continue Reading
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THIS WEEK: Beats Music leaks; new startup merges listening and broadcasting; new podcast company Amplifi Media; Android Auto hits the road; new AMP bill benefits music producers. Continue Reading
An influential legal panel will highlight RAIN Summit West, April 12 in Las Vegas. The RAIN Legal Panel, well-known at RAIN Summits for illuminating complex issues of music licensing, will be moderated by David Oxenford and feature the RAIN Summit debut of Alex Luke. Continue Reading